Yeats
英[jeits]
美[jeɪts]
双语例句
- 1. Later in this same passage Yeats resumes his argument for the Rose as an Irish symbol.
- 后来在这同一篇文章里,叶芝再次提到把玫瑰作为爱尔兰象征的观点。
《柯林斯英汉双解大词典》
- 2. "Man's heart" in Yeats is "resinous"; it's sticky filth that flames.
- “人心”于叶芝看来是“树脂”;是粘乎乎会燃烧的脏东西。
youdao
- 3. It's a longish poem, not in your anthology, but you can find it in The Complete Yeats.
- 这是一首很长的诗,你们的选集里没有,但在《叶芝诗选》里可以找到。
youdao
- 4. Yeats insists that the heart is an organ of the body, and located in it. This is important.
- 叶芝坚持说,心脏是身体的器官,置于其中。这很重要。
youdao
- 5. You could go to Yeats' poem Adam's Curse to see how the poet talks about this aesthetic ideal.
- 你可以去看看叶芝的诗歌《亚当的诅咒》,看看诗人是如何谈论这一美学理想的。
youdao
- 6. Pablo Picasso, Charles Darwin, Mark Twain, Oliver Goldsmith, and William Butler Yeats all disliked school.
- 巴勃罗·毕加索、查尔斯·达尔文、马克·吐温、奥利弗·戈德史密斯和威廉·巴特勒·叶芝都不喜欢上学。
youdao
- 7. Yeats seems to be reversing this trick in "The Fisherman," which seems to be converting myth back into reality.
- 叶芝好像在《渔夫》一诗中,进行了这一转变,似乎把神话变成了现实。
youdao
- 8. Wilde is also a friend of Yeats, but Yeats' poetry has indeed undergone important and notable stylistic changes.
- 王尔德也是叶芝的朋友,但叶芝的诗歌的确经历了重要的值得一提的风格上的改变。
youdao
- 9. Yeats, in Adam's Curse, regrets that the beautiful is something to be labored for and he wants to conceal that labor.
- 在《亚当的诅咒》中,叶芝遗憾道,这种美丽是值得为之劳作的,他想掩盖这种劳作。
youdao
- 10. Yeats, in "Adam's Curse", regrets that the beautiful is something to be labored for and he wants to conceal that labor.
- 在《亚当的诅咒》中,叶芝遗憾地说,美丽是值得为之努力的,他想隐藏这种努力。
youdao
- 11. Yeats sees the Second Coming as an image, as a myth, an idea, a metaphor, a certain stylistic arrangement of experience.
- 叶芝把《第二次降临》看成一个意象、一个神话、一个意识、一个比喻、一种诗意感受的安排。
youdao
- 12. This is The Wind Among the Reeds, and the author is William Butler Yeats, published in 1899, on the verge of the new century.
- 这是的《苇间风》,作者是威廉·巴特勒·叶芝,在新世纪即将到来之际的1899年出版。
youdao
- 13. Yeats takes on self-consciously staged identities, requiring costumes, and he sees other people in similarly theatrical and mythic terms.
- 叶芝扮演了一种不自然的舞台身份,需要服装,他以同样戏剧化和神话化的方式看待他人。
youdao
- 14. Yeats is still writing dream.
- 叶芝还在写梦。
youdao
- 15. And this is our glory, Yeats says.
- 这是我们的光荣,叶芝说到。
youdao
- 16. But there's a difference in Yeats.
- 但叶芝有所不同。
youdao
- 17. The lyrics almost read like a W.B. Yeats poem.
- 歌词读起来几乎就象叶芝的诗。
youdao
- 18. For Wednesday — This is my — our first Yeats lecture.
- 星期三是我们第一次关于叶芝的课程。
youdao
- 19. In fact, as Yeats declares, the fisherman does not exist.
- 实际上如叶芝所说,渔夫并不存在。
youdao
- 20. In fact, Yeats is still writing about a solitary fisherman.
- 实际上,叶芝所写的还是,一个孤独的渔夫。
youdao
- 21. There's Yeats, too. All of them are in a sense internationals.
- 还有叶芝,他们在一定意义上来说都是国际的。
youdao
- 22. But Yeats doesn't answer the question, does he? Well, why not?
- 但叶芝没有回答这个问题,为什么他不回答呢?
youdao
- 23. Notice here how Yeats images what is at the core of Christ's birth.
- 注意这让叶芝是怎么描写,基督诞生的核心内容的。
youdao
- 24. Well, how does Yeats stand in relation to the events he's describing?
- 那么,叶芝是怎么处理,他和他所描写的事件的关系的呢?
youdao
- 25. In a certain sense, Yeats, I think, really felt that he was King Goll.
- 我认为从某种意义上说叶芝,真的认为自己就是郭尔王。
youdao
- 26. "Man's heart" in Yeats is "resinous"; it's a sticky filth that flames.
- 人心于叶芝看来是树脂做的,是粘乎乎会燃烧的脏东西。
youdao
- 27. Well, that's enough for today, and we will continue Yeats on Wednesday.
- 好,今天就到这里,周三我们继续我们的叶芝之旅。
youdao
- 28. Yeats has a long career, really beginning in the late nineteenth century.
- 叶芝有很长一段时间,其实是从19世纪后期开始。
youdao
- 29. Yeats is throwing off his early work as if throwing off a kind of costume.
- 叶芝抛弃了他的早期作品,就像抛弃一件外套一样。
youdao
- 30. The realization of desire for this young Yeats is something only possible in art.
- 对年轻的叶芝来说这种愿望的,实现只有在艺术里才可能。
youdao
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