posterization
英[ˌpəʊstəraɪˈzeɪʃən]
美[ˌpoʊstəraɪˈzeɪʃən]
双语例句
- 1. Any process which "stretches" the histogram has the potential to cause posterization.
- 任何过程，“延伸”的直方图有可能导致色调分离。
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- 2. This effect ranges from subtle to quite pronounced, although one's tolerance for posterization may vary.
- 这种效应范围从细微比较突出，虽然色调分离的宽容可能会有所不同。
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- 3. Posterization occurs when an image's apparent bit depth has been decreased so much that it has a visual impact.
- 色调分离发生时，图像的明显的位深度已经下降，以至于它具有视觉冲击力。
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- 4. CONTINUOUS-TONE – refers to an image where like colors in the subject and scene do not change abruptly; the opposite of posterization.
- 连续色调–是指拍摄物上的相近色彩变化连接不突兀；多色调分色的反义词。
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- 5. Using images with 16-bits per channel can greatly reduce the risk of posterization since this provides up to 256 times as many color levels as 8-bit.
- 使用每通道16位的图像可以大大降低色调分离的风险，因为这提供了多种颜色为8位水平的256倍。
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- 6. POSTERIZATION - the effect produced when a photographic image is displayed or printed with too few colors or shades of gray; the opposite of continuous-tone.
- 多色调分色—当照片显示或打印时色彩过少或带有灰色阴影时产生的效果；连续色调的反义词。
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- 7. Working in color Spaces with broad gamuts can increase the likelihood of posterization because they require more bit depth to produce the same color gradient.
- 具有广泛的色域色彩空间工作，可以增加，因为他们需要更多的位深度来产生相同的颜色渐变的色调分离的可能性。
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- 8. Posterization: Darkroom techniques which turn the continuous tones of a photograph into three or four flat tones; to produce a picture resembling a poster. Also called tone separation.
- 海报化：把连续色调的相片用黑房技巧转为三至四个平调，造成像海报的图画的情况。亦称色调分离。
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- 9. The term posterization is used because it can influence your photo similar to how the colors may look in a mass-produced poster, where the print process USES a limited number of color inks.
- 长期色调分离使用，因为它可以影响你的照片，类似的颜色可能看起来如何在大规模生产的海报，打印过程中使用数量有限的彩色墨水。
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- 10. The term posterization is used because it can influence your photo similar to how the colors may look in a mass-produced poster, where the print process USES a limited number of color inks.
- 长期色调分离使用，因为它可以影响你的照片，类似的颜色可能看起来如何在大规模生产的海报，打印过程中使用数量有限的彩色墨水。
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